May 17: CM Burroughs & Eugenia Leigh

The Chicago Poetry Center presents BLUE HOUR, a free, public monthly in-person reading series and generative writing workshop hosted and facilitated by Marty McConnell. 

 

The Blue Hour reading includes a brief open mic followed by two featured poets from Chicago and beyond. The open mic includes five readers drawn lottery-style from a hat that goes out at 7:15. The reading starts promptly at 7:30. Each open mic poet reads one poem or for three minutes, whichever comes first.

The name comes from a line by Chicago poet Li-Young Lee, from a section of “The City in Which I Love You”:

I wait
in a blue hour
and faraway noise of hammering,
and on a page a poem begun, something
about to be dispersed,
something about to come into being.

EVENT DETAILS FOR MAY 17:

  • Workshop (registration required) begins promptly at 6 p.m., ends at 7 p.m.
  • Open mic sign-up begins at 7:15.
  • Reading (registration recommended) begins at 7:30, followed by community gathering time.
  • Reading registration is free; the workshop is sliding scale with a suggested donation of $10.
  • Register for the workshop here.
  • Get your ticket for the reading here.
  • Livestream is available here.

ABOUT THE READING: 

The Blue Hour reading features readings by two poets from Chicago and beyond, followed by community gathering time. 

ABOUT THE WORKSHOP: 

The Blue Hour generative writing workshop is suitable for writers and poetry fans of all levels. We will discuss a poem together, then Marty will guide the group through individual writing on an exploratory prompt that draws on themes from the poem. 

MAY FEATURES: 

CM Burroughs is Associate Professor of Creative Writing at Columbia College Chicago and author of The Vital System (Tupelo, 2012) and Master Suffering (Tupelo, 2021,) which was longlisted for the National Book Award, Lambda Book Award, and the LA Times Book Award. Burroughs’ poetry has appeared in journals and anthologies including Poetry, Ploughshares, Cave Canem’s Gathering Ground, and Best American Experimental Writing.

Eugenia Leigh is a Korean American poet and the author of Bianca (Four Way Books, 2023) and Blood, Sparrows and Sparrows (Four Way Books, 2014). Her poems and essays have appeared in numerous publications including The Nation, Ploughshares, Poetry, Waxwing, and the Best of the Net anthology. The recipient of Poetry’s 2021 Bess Hokin Prize as well as fellowships and awards from Poets & Writers, Kundiman, and elsewhere, Eugenia received her MFA from Sarah Lawrence College and serves as a poetry editor at The Adroit Journal.

ABOUT THE HOST: 

Marty McConnell is a poet, educator, and healer based in Chicago. She is the author of when they say you can’t go home again, what they mean is you were never there, winner of the 2017 Michael Waters Poetry Prize; her first full-length collection, wine for a shotgun, received the Silver Medal in the Independent Publishers Awards and was a finalist for both the Audre Lorde Award and a Lambda Literary Award. Her first nonfiction book, Gathering Voices: Creating a Community-Based Poetry Workshop, is available through YesYes Books. She is the co-creator and co-editor of underbelly, a web site focused on the art and magic of poetry revision. An MFA graduate of Sarah Lawrence College, her work has appeared in numerous journals and anthologies including Best American Poetry, Southern Humanities Review, Gulf Coast, and Indiana Review

To learn more about the series and history, go here. 

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TESTIMONIALS

“Writing poetry makes me feel like I can see myself, like I can see my reflection, but not in a mirror, in the world. I write and I know I can be reflected.”
-Oscar S.

“Writing poetry makes me feel free.”
-Buenda D.

“Writing poetry is like your best friend.”
-Jessica M.