T. Zachary Cotler

Iowa City, IA

 

 

The Prayer for Ending Stories

 

1.

The night the Fish and Game truck

chased us on the lava mountain road,

he reeked of dark cologne and blood.

Deer, shot and skinned, was púufich.

Eagle was vakâar and holy. I can kill

púufich, he said, but don’t shoot at eagles.

Fish and Game won’t cross

the reservation line—if I

imposed on him an easy heroism,

forgive me, I required a father.

Eagle wings hung in his truck.

Scared he’d bought them at a powwow,

I didn’t ask. I’m sure he had, but

back then I imagined him up

in some aerie, thin clouds

on his shoulders, cutting a deal, because

it was an old raptor’s last Earth hour.

Your wings for a dance and a cigarette, or

your wings for a sage smoke prayer.

 

 

2.

America was not a word in this place.

So he explained: The Ikxareeyav were gods.

They made people. One god, Eel-with-a-Swollen-Belly,

lived at the downstream end of the world and swam

the river earth and stopped to stack lava rocks here

on the north side. Those were singing places for the people.

He stacked rocks on both sides of the river. He had made

the Center-of-the-World. Believe me? It was before dawn.

Here were huge topped cairns. You’ll die

if you fall in. I would. We crossed a field

of halfsunk stones in the canyon

between the boulders and the rapid water.

 

 

3.

   Ninivdssi vúra,

   vitkiniyâac ta kóova,

   tuáxxaska,

   tuáxxaska                                             

I slept in the hunting shack

with his mother. He’d planned

to sleep in the tent with mine;

she said go, and he stayed

out all night with his gun.

Between the boards,

where the shack’s mossed wall

had warped, I watched him

run a cloth along his gun

and plug his eye into the scope

aimed into the zodiac.

What kind of immortality

was this? He was the opposite

of what at twelve I understood

of death. Eagles don’t have

night vision. He tilted to the moon.

—My back,

   it has become like a mountain ridge,

   so thin,

   so thin.

 

 

4.

He rocked in the needles,

nodding his head,

thumbing the bone

of his knifehandle.

I stood behind him,

chin on his head.

His mother was

Nearly blind.

The dark was

intimate with her.

Her songs were

repetitious and

about extinction.

 Ninivássi vúra,

    vitkiniyâac ta kóova,

    tuáxxaska,

    tuáxxaska.