The Poetry Center

9th Annual Juried Reading Second Place

Deborah Marcero
A unique stylist emerges here who challenges left hand margin, ìofficial verse cultureî habit. ìOf The Bookî exists as a litany of definitions and realignments in language, seeing words as ìthingsî (a la Gertrue Stein perhaps?) that require meditation, extrapolation. The phrases seek directional locating: Lateral, Vertical, Linear as a grid for how to be an architect of ìthe poemî. ìUn Namingî continues the experiment stating ìThe room is here, but I did not make itî. The thinking is interesting around issues of experience, translation. The Lais - lyrically - draws on Audobon. The fact of bird life and lore, the poet as failed ornithologist. I love the challenge and torqued directions her poems take. -- Anne Waldman

Deborah Marcero lives in Chicago and is currently finishing her M.F.A. in poetry at the School of the Art Institute of Chicago.


The Lais

 

“…the arrow rebounded,

gave Guigemar such a wound-…”

-Marie De France, 12th century

 

 

1.

 

       A white fawn sprang

 

(into heel of my hand, large stone;

        Birdsong, rare in the city.)

 

       My fingers opened,

 the arrow slid through air –

           struck the breastbone of the hind

with such force, it reflected back,

        piercing my right thigh.

 

 

2.

 

I held a ruby throated hummingbird in my palm

last spring.

The green wrapper

moist with oil.

 

The rubber coated pliers of its breast

 

glittered in the light.

 

Unscrewed, waiting.

 

Looking at John James Audubon's 430 Birds of America

after realizing he teaches himself to wire up freshly killed

birds in lifelike positions and begins to use some watercolor in the eyes,

bills and feet

 

then begins to draw.

 

 

3.

 

In the car, I wrapped my hand

around your smallest finger,

looked out over the East River.

The island of Manhattan, a projection

onto flatwhite screen, flickering.

 

We said goodbye in the line for taxis,

I looked at the objects of your eyes.

 

 

4.

 

Lines 557, 558:

Beloved, I need your promise.                         Marie De France, Guigemar

Give me your shirt.

 

She commenced to tie a knot

which no other maiden could be said to undo.

 

And then of course,

they parted.

 

 

5.

 

I am no ornithologist.

I lie on the thing felled.

 

The wound remains the same.

Even though the body resists

 

suffering, it also longs for something

to suffer. Some recognition. Unhealing thing.

 

 

© 2003 The Poetry Center of Chicago
All Rights Revert Back to the Author Upon Publication.
No Portion of this poem may be reproduced without the expressed permission of the author.