Romi Crawford, Ph.D, is an Assistant Professor at the School of the Art Institute of Chicago. She was previously the Curator and Director of Education and Public Programs at the Studio Museum in Harlem, and from 2000 to 2005 she was Director of the Visiting Artists Program at the School of the Art Institute of Chicago. Her research and curatorial work revolves primarily around the topics of race and ethnicity and the relation to American visual, aesthetic, and popular culture. She has published in Art Journal, Cinema Remixed and Reloaded: Black Women Film and Video Artists, Black Light/White Noise: Sound and Light in Contemporary Art, Frequency, and Art and Social Justice Education: Culture as Commons.
Joyce Fernades, Executive Director of archi-treasures since 1998, is a cultural worker whose career encompasses extensive experience in arts administration, lecturing and teaching, critical writing, and visual arts practice. Her primary focus has been to develop innovative community arts practices. As Executive Director of archi-treasures she works hard to facilitate strong community partnerships by recognizing and honoring the tremendous assets and resources that are available in all communities, and designing creative projects that leverage and complement those assets. Fernandes is also the former Director of Exhibitions and Events at the School of the Art Institute of Chicago, and the former Program Director at Sculpture Chicago. She received her MFA from the School of the Art Institute of Chicago and her BFA from Tyler School of Arts in Philidelphia.
Stuart Keeler is an artist of public spaces who organizes exhibitions and multi-platform projects with the collaborative role of "curator" as the conceptual identity of his practice. Is it "public art" or is it art in public space? The role of the artist is challenged by his investigative projects interpreting social praxis as an innovative business model. Keeler aims to model a new process of curatorial practices by engaging with a continuing dialogue in public space centered on the expanded role of the artist. With an MFA from the School at the Art Institute of Chicago (2005), Keeler has exhibited at Gallery 400 UIC, Yerba Buena Center for the Arts, Center on Contemporary Art, Espace-Art Unit, The Hyde Park Art Center, John Michael Kohler Arts Center among others. Innovative curatorial projects include Art 44|46, Chicago, Le Flash! - Atlanta, LEITMOTIF, Nuit Blanche - Toronto. Keeler has completed over 75 public art commissions in North America and Internationally. He is currently completing a commission a the San Diego International Airport with Swaroskvi Crystal-Austria. He currently holds the position of Director/Curator at The Art Gallery of Mississauga, Canada.
Allison Peters Quinn is the Director of Exhibitions at the Hyde Park Art Center (Chicago), where she has curated exhibitions, and produced symposiums, performances and publications since 2004. She has organized significant exhibitions for emerging and established artists such as Cándida Alvarez, Theaster Gates, Kelly Kaczynski, and Bibiana Suárez. She has served on critique panels and taught graduate seminars at the School of the Art Institute of Chicago and The University of Chicago Graham School. Awarded the Ramapo College Curatorial Prize, she has served as juror for the Artadia Award, Efroymson Award, and the Ragdale Foundation. Her writing has appeared in Proximity Magazine and artists' monographic publications including William Steiger: Transport (2011) and Altogether Mutable: The Work of Mary Lou Zelazny (2009). Allison studied a MA at the Center for Curatorial Studies, Bard College, and a BA at the University of Wisconsin - Madison.
Founded in 2005, The Green Lantern Press is an artist-run, non-profit press focused on emerging or forgotten texts in order to bridge contemporary experience with historical form. We celebrate the integration of artistic mediums. We celebrate the amateur, the idealist and those who recognize the importance of small independent practice. In a cultural climate where the humanities must often defend themselves, we provide intimate examples of creative thought. Dedicated to the "slow media" approach, the Green Lantern Press conceives each book as a curatorial site; small editions are printed with artist plates, ephemeral inserts and silk screen covers. We are efficient about the material we use, economic about our proportion and intent on local production. More information at www.press.thegreenlantern.org
An independent not-for-profit arts organization founded in 1974, The Poetry Center of Chicago's mission is to promote poetry through readings, workshops, residencies and arts education, to make poetry accessible to the general public, to stimulate and encourage young poets, and to advance the careers of poets by offering them professional opportunities. The Poetry Center is in residence at the Chicago Cultural Center. A Heap of Language is the Poetry Center's 2012/13 Event Series, at the Chicago Cultural Center.